Robert Cray Strong Persuader Rar File
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The Robert Cray Band - Bad Influence - 1983 - Hightone One of Robert Cray's best albums ever, and the one that etched him into the consciousness of blues aficionados prior to his mainstream explosion. Produced beautifully by Bruce Bromberg and Dennis Walker, the set sports some gorgeous originals ('Phone Booth,' 'Bad Influence,' 'So Many Women, So Little Time') and two well-chosen covers, Johnny 'Guitar' Watson's 'Don't Touch Me' and Eddie Floyd's Stax-era 'Got to Make a Comeback.' Few albums portend greatness the way this one did. © Bill Dahl © 2012 Rovi Corp All Rights Reserved Robert Cray's music has been described as as 'neoclassic-R&B'. Not a bad definition of his music, as many music 'critics' have maintained that Robert Cray's music is 'safe', 'predictable', and some have made the comment that he is not a 'genuine' bluesman because of his musical excursions into Gospel, R&B, and Southern Soul. Other 'experts' have said that his albums have a 'sameness' about them. He has been described as 'a yuppie blues wannabe'.
Well, Robert Cray's music has always had a 'soul backbone', and there's nothing wrong with that, and his music has always had a strong blues foundation. The guy is a brilliant blues guitarist, and has made many great albums. Robert has never stuck to the orthodox blues' styles. His innovative guitar playing has brought new life to the blues, and many of his songs are the real blues deal.
Robert has stamped modern blues with his own unique style. Robert, himself, has said that 'Blues is one of the foundations of our music, but it’s not all that we play.' He also said 'When I first started playing guitar, I wanted to be George Harrison – that is, until I heard Jimi Hendrix.
After that, I wanted to be Albert Collins and Buddy Guy and B.B. And then there are singers like O.V.
Wright and Bobby Blue Bland. It’s all mixed up in there.'
'Every time somebody asks me about where my music comes from, I give them five or six different directions – a little rock, soul, jazz, blues, a little gospel feel. Then there are some other things that maybe fall in there every once in a while, like a little Caribbean flavor or something. You just never know. I always attribute it to the music we grew up listening to, and the radio back in the ‘60s. It’s pretty wide open. It’s hard to put a tag on it.' Stage Plot Pro Serial Mac Lookup.